Daredevil: 10 Things You Didn’t Know About His Yellow Uniform

Daredevil: Yellow, the work of Jeph Loeb, Tim Sale and Matt Hollingsworth, is a historical review of the early days of the hero

Daredevil: Yellow is a review of the first steps of our blind hero, and that was made with great talent by the artists Jeph Loeb, Tim Sale and Matt Hollingsworth. They chronicle Matt’s early adventures wearing his iconic yellow uniform as he meets other superheroes and engages in early fights with his rogues gallery.

This work is very popular among comic book readers, and in it there are some details about its creation that even the most hardcore fans of Marvel Comics do not know. While the Daredevil comic can be read and reread countless times, there is always new meaning to be drawn from both the work itself and the people and conditions in which it was made.

10 Things You Didn’t Know About Daredevil: Yellow

Jeph Loeb and Tim Sale did similar stories for other Marvel heroes.


Daredevil: Yellow was the first of the works dealing with the early days of color-themed heroes that the team of Jeph Loeb and Tim Sale did together. They would go on to create Spider-Man: Blue in 2002, Hulk: Gray in 2003, and Captain America: White in 2008, though the last one wouldn’t be finished until 2015.

Colorist Matt Hollingsworth would join them again for Hulk: Grey, though Steve Buccellato would provide the color for Spider-Man: Blue, and Dave Stewart would come on board to color Captain America: White.

This team also created some of the greatest DC Comics stories of all time.


The team is also known for their iconic DC Comics stories.

They created Superman: The Four Seasons, a work that told four different stories of Superman at different points in his career.

His best-known DC work is Batman: The Long Halloween, which, like Daredevil: Yellow, aimed to tell an earlier story in Batman’s life, though it didn’t recapitulate the beginning as with Matt Murdock. This work got a sequel, Batman: Dark Victory, which introduced Robin to the story. It also serves as something of a sequel to Frank Miller and Dave Mazzucchelli’s Batman: Year One.

Daredevil: Yellow and The Man Without Fear disagree

Daredevi Yellow 2 1

Frank Miller and John Romita Jr. also told a Daredevil origin story in 1993 titled The Man Without Fear. This work largely contradicts the story told by Jeph Loeb.

Among other things, Jack Murdock dies when Matt was a kid, Stick is introduced to the story, Matt’s college fling with Elektra is focused on, and Matt starts out as a superhero during college instead of after.

Romita’s work also featured the improvised black suit that was used by the Netflix series for seasons one and three, which is now broadcast on Disney+.

Karen Page has always been there since issue 1


Daredevil: Amarillo focuses heavily on the budding relationship between Matt Murdock and Karen Page, showing her joining the law firm Nelson & Murdock early on. This is consistent with the original comic dating back to 1964.

While some love interests like Gwen Stacy and Mary Jane Watson weren’t introduced until a couple of years later in the comic series, Karen Page has been with Matt Murdock from the start with Stan Lee and Bill Everett’s Daredevil #1.

Electro, the Fantastic Four, the Owl, and the Purple Man appeared in the first four issues of Daredevil.


Daredevil: Amarillo adapted some of Matt’s early encounters very accurately. He first fought Electro in Daredevil #2 in 1964. In fact, he was the first supervillain he ever fought.

The Fantastic Four also pay Matt a visit in their second issue, also by Stan Lee, but with new artist Joe Orlando. The 4F’s appearance in that comic is reflected in Daredevil: Yellow #3. The Owl appears in Daredevil: Yellow #5 to align with his first appearance in Daredevil #3.

Finally, there is the Purple Man, who is in Daredevil: Yellow #6 and the original Daredevil #4.

Jeph Loeb and Tim Sale’s team won an Eisner Award


The team of Jeph Loeb and Tim Sale would go on to win two Eisner Awards for their work on Batman: The Long Halloween and its sequel Batman: Dark Victory.

They also received a nomination for Superman: The Four Seasons. Separately, Jeph Loeb won an Eisner alongside Darwyn Cooke for Batman/The Spirit #1, and Tim Sale won another Eisner in 1999 for Best Artist/Penciller/Inker for a compendium of their works at the time rather than a specific award. for a specific series or comic.

Colorist Matt Hollingsworth has also won an Eisner Award and two UK Art Awards.


Matt Hollingsworth, the colorist for Daredevil: Yellow, has also won a host of awards for his work over the years. He won two UK Art Awards for Best Colourist in 1996 and 1997.

He also won an Eisner in 1997 for his work on DC Comics’ Preacher, Death: The Time of Your Life, and Challengers of the Unknown. He also earned nominations for other works such as Hawkeye, Batman: Nine Lives, Catwoman, Daredevil, Aliens: Labyrinth, Aliens: Salvation, and Creature from the Black Lagoon.

Jeph Loeb would work on Lost, Heroes and Smallville


Jeph Loeb He has a solid career in film and television, as well as in the world of comics. He started out writing the Teen Wolf script and then a Flash script that never made it into a movie.

His most outstanding works included being a writer and producer of the legendary series Lost, writer and supervising producer of Smallville, and executive producer and writer of Heroes. He would still stick around in the comics scene, introducing Marvel’s General Ross as the Red Hulk alongside Ed McGuinness in the 2008 Hulk relaunch.

Stan Lee gave his blessing to Daredevil: Yellow in the introduction of the work in its hardcover edition


In the hardcover collected edition of Daredevil: Yellow, the book is preceded by an introduction by Stan Lee, co-creator of the character, like most of the early Marvel heroes: Spider-Man, The Avengers, The Fantastic Four or The X -Men.

Stan Lee warmly praised Loeb’s work, saying that reading it made him feel like he was “deeply engrossed in a hardcover bestseller,” and that “the dialogue sounded so real you could almost hear the characters talking.” ».

He also said that Sale’s art style was “dramatic, high-voltage and emotional” and that it “had the same effect as watching a movie, which was the work of a master photographer.”

Tim Sale is actually colorblind


One thing that is often forgotten about Master Tim Sale is that he is actually colorblind. How? Yes, let’s not hallucinate, in this life everything is possible if he loves comics like he does. He once said in an interview in Sex Magazine that he always saw Robin Hood tan instead of green. Take it now! They always told him that he only needed to learn the colors, and that that was not an obstacle to assessing his incredible talent with pencils.

This is an irony of life, right? The color names in Loeb and Sale’s Marvel collaborations also seem like an homage to the artist’s colorblindness, but it’s unclear if that influenced Daredevil’s name: Yellow.

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Daredevil: 10 Things You Didn’t Know About His Yellow Uniform

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