“inception”, also known as “The Origin”, arrived 12 years ago and shook the paradigms of what we thought plausible in cinema. This is not a surreal film, but oneiric. Dreams, as pathways to the subconscious and distorting reality, are not easy to film, but director Christopher Nolan graduates with honors from such a complicated feat.
He is not a magician, but he is an illusionist who will do his best to keep our attention on the edge while he tries to discover the trick. It is a deception to which we go placidly to dazzle us. In order to put on this show, he will make use of non-linear storytelling, carefully orchestrated structure, and production to match his ingenuity.
The end of “Inception” made us wonder if the protagonist was still dreaming or awake. 12 years after its premiere, several question its place in the history of cinema. For some, it is a masterpiece of the seventh art; for others, an idea vilely implanted in our minds.
What did critics say about “Inception”?
The toughest appraisals
- “One of the dumbest movies I’ve seen in a long time. I think he is a director with enormous visual power, but he can also be very irritating trying to be original”: Carlos Boyero from Diario El País
- ”A very powerful film (…) But Nolan loses its excess: the very long final climax is repetitive, exhausting and at times ridiculous”: Jordi Batlle Caminal from Diario La Vanguardia
- ”There are so many rules of the game that Nolan proposes that it is almost impossible to relax (…) He is neither Lynch nor Buñuel, true architects of unapologetic dreams”: Sergi Sánchez from Diario La Razón.
- “It begins with the promise of working with the infinite possibilities that cinema offers as a dream laboratory, to end up as a conventional action film”: Luciano Monteagudo from Diario Página 12,
The most favorable appraisals
- “In a summer filled with remakes, prequels and sequels comes ‘Inception,’ easily the most original idea movie in years” – The Hollywood Reporter’s Kirk Honeycutt.
- “With its physics-defying, thunderous action, overwhelming emotion and an extraordinary performance by DiCaprio, Nolan once again delivers something truly original: welcome to an unknown country” – Empire’s Nev Pierce.
- “If movies are shared dreams, then Christopher Nolan is surely one of Hollywood’s most creative dreamers, as his brilliant ‘Inception’ proves” – Variety’s Justin Chang.
- ”A wildly exciting sci-fi thriller that’s as unsettling as it sounds (…) It will have you worrying about whether it’s safe to close your eyes at night” – Kenneth Turan of the Los Angeles Times.
Currently, on Rotten Tomatoes it has an approval of 87% by critics and 91% by the audience. “Smart, innovative and exciting. It’s that rare summer blockbuster that succeeds both viscerally and intellectually.”
A film that tackles the world of dreams like few others. Photo: Warner
What is ‘Inception’ about?
Dom Cobb is an expert in appropriating the secrets of other people’s subconscious during sleep, which makes him a highly valued man in the world of espionage but unable to have a normal life. Now a mission becomes the best opportunity to change this, but he must do the opposite of what he is used to: implant an idea instead of subtracting it.
Who is who?
- Leonardo DiCaprio as Dom Cobb
- Joseph Gordon-Levitt as Arthur
- Ellen Pagenota as Ariadne
- Tom Hardy as Eames
- Ken Watanabe as Saito
- Marion Cotillard as Mal Cobb
- Cillian Murphy as Robert Fischer
- Tom Berenger as Peter Browning
- Michael Caine as Miles.
Ending of “Inception” explained
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“Inception”: masterpiece or fraud? An intense debate as complex as its ending
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