Spider-Man: No Way Home, review without spoilers. The maturity of a dream

Spider-Man: No Way Home It is the biggest phenomenon of the year in the world of cinema, that halo of light that will detonate a massive return to theaters by moviegoers. Marvel Cinematic Universe. Some rooms that in 2019 were triumphant with that Avengers: Endgame turned into an event. And here we are now, ready to relate our sensations without resorting to plot spoilers, digesting a movie that talks about second chances. A dream come true that is, above all, great peter parker movie. Tom Holland is already a true Spider-Man.

Lose, accept and understand the responsibility of that mask

Finishing the trilogy of a superhero, whether or not it ends, involves making decisions, conveying to the viewer that time does not pass in vain and, above all, give cohesion to everything that has happened before to understand what is happening now. It seems that jon watts He wanted to stick to that condition, that of defining a charismatic actor, unmistakable for his charisma, but who needed to be known as Peter Parker. In Spider-Man: Homecoming and Spider-Man: No Way Home we had two notable, but somewhat diffuse, stories. A young teenager immersed in a comedy in which fun was taken as the flag. This third part divides its structure into three major acts, with the first of them as a touchstone to talk about that context and move into action with barely a second to catch your breath.

It is there where the shell breaks, after a really agile, fast first thirty minutes, which close Far From Home and make you read between the lines that this film does not seek to repeat the superheroic formula of works like Captain America: Civil War, in which we also had a large gathering of characters divided into factions. Here the action does not overlap with the plot, instead No Way Home is a story of resolution and assimilation; a tribute to the figure of Peter Parker with more tears than smiles.

For the first time in a movie wall-crawler, his identity has been revealed to the world, with the risks that this implies for his loved ones and himself. The desire to reverse the situation is the leitmotiv of all the footage; the key lies in how you get there and the consequences it has. Every great change implies a sacrifice.

“It had been a long time since I had had so much fun and excitement at the movies”

Along with Sam Raimi’s Spider-Man 2, we’re looking at the film that best builds the character, which reflects on loss and makes the protagonist understand that with great power comes great responsibility. Chris McKenna and Erik Sommers convince with the script, which after that first act gives the feeling of wanting to get into too much trouble. To such an extent that you come to think that it will be impossible to successfully close everything in just two more hours. But he gets it. He achieves this by using moments from the second third to delight in conversations that only those who have seen the previous installments will be able to interpret. And up to here we can read.

Spider-Man: No Way Home

Because the multiverse is another way of referring to open a blank book ready to gather all kinds of stories, surprises and revelations that both Holland (Peter Parker) and Zendaya (MJ) and Jacob Batalon (Ned) happen in the first person at the same time as the viewer. Especially noteworthy is the figure of the American artist, much more involved in the role than in previous regular performances. Not surprisingly, the one who wins the most is Holland, completely turned into Peter Parker. After the credits you have that special taste in your mouth of believing that he is now a canonical Spider-Man. One that has given joy to Sony -in every way- and that will continue to nurture the Marvel Cinematic Universe convinced of his destiny, that he is none other than to protect. Entering adulthood is something that you do not learn on your own, but that you understand and assume based on blows, setbacks and lessons, respecting the style of the comics.. And that was very important.

A good idea that keeps what it promises

Spider-Man: No Way Home is a cinematic event for much more than just being able to see Doctor Octopus, Green Goblin, Lizard, Electro and Sandman back on screen, believe us. Jon Watts has distanced himself from previous tapes and leaves unforgettable scenes to remember; especially the final 40 minutes that pass like a breath. Actually, the movie flies by. It is not perfect, with motivations that drive the first two thirds of the plot that may not be convincing, but luckily everything falls into place and the story is coherent.

Spider-Man: No Way Home

The arrival of so many characters in the Disney Universe responds to those villains who knew the identity of wall-crawler in other universes. Only them. Imagine the number of plot conflicts that come up against each other at once. Some died, some didn’t. So why is everyone here? The elegance with which all these clashes are resolved is logical, as far as possible; though there is no time to delve into each of them as much as they deserve.

Uniting the past with the present to glimpse the future

Likewise, the declared comic tone of previous films of the spidey The UCM says goodbye here to that tone after the first act. From that moment you enter a terribly dramatic wheel of eventscomplicated to assimilate, only that again well built and supported by those skills that have always characterized Spider-Man. We will only say that we liked Holland’s new record, which shows that in addition to being charismatic he is a good actor. It goes without saying how much both Alfred Molina and Willem Dafoe add up to, although we have to accept that having so many Sinisters in the casting implies dividing their minutes of screen footage.

Spider-Man: No Way Home

There are moments in the film that you have to live in the first person, on the big screen; to really go back ten, fifteen or twenty years ago. The editing, the sound direction and the staging are surely the best of this stage of Spider-Man in the cinema. The biggest drawback we find is that this meeting of great villains could have been structured differently, that this same story could have been told with a little more depth; perhaps having streamlined that second section a bit to better serve the phenomenal last third. In addition, the impact would have been greater if fewer things had been revealed in the trailers. In the end, there are many surprises, but others are not surprises due to circumstances.


Spider-Man: No Way Home is an essential film for fans, surely one of the best in the character’s history. Without a doubt, the most balanced, resounding and round of Tom Holland in this cinematographic universe. We all had a desire to be encouraged to return to the movies; here we have a compelling reason to sit in the armchair, let ourselves go and be moved by the countless moments of pure homage to the figure of Peter Parker. Because he is truly that boy from Queens, destined to protect and get into trouble, the real protagonist. The final conclusion is clear: a movie has arrived that will leave its mark on the Marvel universe; but above all it is a great Spider-Man movie.

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Spider-Man: No Way Home, review without spoilers. The maturity of a dream

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